Is there a nationwide renaissance of art by Black and African American artists? If so, is their work being embraced within American museums and galleries? The panel of generational artists will explore these issues and their artform. The discussion will revolve around the role of the Black artist in today's society. To investigate these issues, Suncoast Black Arts Collaborative (SBAC) presents “Black Identity in the Arts: Generational Perspectives,” a free panel discussion exploring the role of contemporary Black artists, Thursday, April 28, 6-8 p.m., at Ringling College of Art and Design’s Larry Thompson Academic Center. The panel will be moderated by Sheila McKoy, a public art consultant. Panelists include Kiron B. Robinson, Greg Rumph, and Krystle Lemonias. The event is free, but registration is required and will be available April 1st.
Michéle Des Verney Redwine, the founder and executive director of the Suncoast Black Arts Collaborative, notes that this discussion will touch on SBAC’s recent “Visions in Black” initiative, created to help regional college and graduate students of color, who are also emerging artists, discover opportunities to promote and exhibit their art. The exhibit also includes local artists of African descent. The program’s significant funder is Gulf Coast Community Foundation. Additional funders include the Cordelia Lee Beattie Foundation, and Sarasota Magazine, the event’s media sponsor. The exhibit culminated with a juried exhibition of works at Art Center Sarasota in January 2022. The judges for the exhibition were Shelia McKoy and Alyssia Lazin. Clifford McDonald won first prize; Gregory Rumph won second prize; and Jeannette Bradley won third prize. Kiron Robinson and Joelle St Julien received honorable mentions.
Moderator: Sheila D. McKoy, a public art and creative placemaking expert and consultant, has successfully produced over 150 public arts projects at transit facilities throughout the transportation system serving the state of New Jersey. She has managed the selection of many artists around the nation, overseeing contract negotiations with contractors and artists alike. She has also connected communities, consultants, architects, and engineers, guiding the process of integrating artwork into the transportation system. McKoy served as president of the Newark Arts’ board of directors from the 2013-2017 and was a trustee for 10 years. She currently serves as co-chair on the board of the Art and Cultural Alliance of Sarasota and the Association of Florida Teaching Artists.
Panelist: Krystle Lemonias is an interdisciplinary visual artist, labor activist, and arts educator, who was born in Haiti. Her work has been shown in such exhibitions as “Hindsight 2020: A Year Later” at the Polk Museum of Art in Lakeland, and “Make America What America Must Become” at the Contemporary Art Center in New Orleans. Lemonias is primarily influenced by her research on social class privilege, citizenship, labor rights, and how economic inequality affects black communities. She sees her work as a tool to encourage the education of cultural identity to this population and its connection to the broader diaspora. Her dedication to the visual artist is an important contribution to the record of contemporary Black art and history. She acquired a BFA in printmaking from New Jersey City University in 2018 and is currently a master’s in fine arts candidate at the University of South Florida, Tampa, graduating in May 2022.
Panelist: Kiron Binsworth Robinson is a multi-disciplinary artist from Trelawny, Jamaica, who studies design, animation and illustration at Ringling College of Art and Design. As an immigrant artist living in mixed culture environments, Robinson cares about the gestalt, specifically how the things he does and creates fits into the greater narrative of his life and the representation of his community. Robinson’s art focuses on portraiture and motifs to synthesize moments in time with dreams and manifestations. Mixing surreal aspects with portraits that draw you into several strings of thought at once, his pieces ask: “What have you done for yourself, and for others? Are you happy with it?”
Panelist: Gregory Rumph was introduced to art by copying his father’s drawings as a youngster. He nurtured that curiosity and refined his skills and talents over the years. In 1998, he received a Bachelor of Fine Art degree in Illustration from Ringling College of Art and Design in 1998. After several years of freelancing, Rumph was recruited to teach in the Visual and Performing Arts program at Booker Middle School in Sarasota where he taught for 15 years. He furthered his experiences in education to be eventually become an administrator, which is his current role. His current assignment is assistant principal at Booker High School overseeing the Visual and Performing Arts program. His work is in the collection of the National Civil Rights Museum and various private collections across the country.
Venue was held at Ringling College of Art and Design's Larry Thompson Academic Center
Sheila McKoy
public art consultant
McKoy served as president of the Newark Arts’ board of directors from 2013-2017 and was a trustee for 10 years. She currently serves as co-chair of the Art and Cultural Alliance of Sarasota and the Association's of Florida Teaching Artists boards.
Greg Rumph II Artist
Educational Administrator
Rumph is an Ohio native, who grew up in Sarasota, Florida. Rumph has taught art for over 15 years in Sarasota and has shown at the National Civil Rights Museum, the Art Center of Sarasota, the Art Center of St. Petersburg, and others. He is the VP at Booker High School.
Krystle Lemonias
Artist, Labor Activist, and Art Educator Fine Arts Master’s
Master’s candidate at the University of South Florida. Jamaica native, Lemonias is recognized for her influences from the intersecting concepts of class, commodification, gender, economic inequity, citizenship, and labor rights.
Kiron Binsworth Robinson
Senior Ringling College of Art and Design
Robinson is a Jamaican Cuban multidisciplinary artist and designer. His focus is on splitting the emotive depths of grief and life into vignettes, and his work portrays small slices of life; moments meant to distill a feeling or a hope despite the context.